{"id":15217,"date":"2023-09-22T13:57:50","date_gmt":"2023-09-22T13:57:50","guid":{"rendered":"https:\/\/biblioargentina.gob.ar\/web\/?page_id=15217"},"modified":"2023-11-17T12:04:44","modified_gmt":"2023-11-17T12:04:44","slug":"solo-lo-fugitivo-permanece-cuentos-de-margo-glantz","status":"publish","type":"page","link":"https:\/\/biblioargentina.gob.ar\/web\/solo-lo-fugitivo-permanece-cuentos-de-margo-glantz\/","title":{"rendered":"S\u00f3lo lo fugitivo permanece, cuentos de Margo Glantz"},"content":{"rendered":"<p><img decoding=\"async\" width=\"400\" height=\"289\" src=\"https:\/\/biblioargentina.gob.ar\/web\/wp-content\/uploads\/2023\/11\/Imagen-para-resenas-Margo-Glantz.png\" alt=\"Foto de Margo Glantz con un fondo colorido de franjas verticales que asemejan libros.\" loading=\"lazy\" srcset=\"https:\/\/biblioargentina.gob.ar\/web\/wp-content\/uploads\/2023\/11\/Imagen-para-resenas-Margo-Glantz.png 400w, https:\/\/biblioargentina.gob.ar\/web\/wp-content\/uploads\/2023\/11\/Imagen-para-resenas-Margo-Glantz-300x217.png 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p><strong>Rese\u00f1a de Mariana Miranda.<\/strong><\/p>\n<p>Si la asociaci\u00f3n libre y la atenci\u00f3n flotante son la regla de oro del m\u00e9todo psicoanal\u00edtico, aqu\u00ed la autora las utiliza para construir su obra: en un verdadero trabajo de orfebrer\u00eda construye textos cortos, autobiogr\u00e1ficos, an\u00e9cdotas propias trasladadas a su alter ego, Nora Garc\u00eda, quien las cuenta en primera persona.<\/p>\n<p>Se puede decir que el libro es \u201cel arte de irse por las ramas\u201d, pero&#8230; \u00a1qu\u00e9 ramas! A lo largo de sus p\u00e1ginas su autora hace gala no s\u00f3lo de una cultura monumental sino del arte de narrar, arte que domina a la perfecci\u00f3n.<\/p>\n<p>Empieza con una perversi\u00f3n oral (Nora Garc\u00eda va al dentista), sigue con una perversi\u00f3n fetichista (desnuda su pasi\u00f3n obsesiva por los zapatos de dise\u00f1ador). En s\u00ed la autora realiza una autobiograf\u00eda de s\u00ed misma a la vez que describe continuas elucubraciones mentales asociadas a las acciones que realiza, a las situaciones que vive, los lugares que transita, otros autores, otros artistas (Mar\u00eda Callas, Frida Kahlo, Octavio Paz, Turner, Lucien Freud, Kafka). Explora las cuestiones del g\u00e9nero femenino: su soledad, su viudez, sus deseos y fantas\u00edas sexuales, sus p\u00e1nicos (cierra con una mamograf\u00eda terror\u00edfica).<\/p>\n<p>Retratando su propio universo Margo Glantz nos enamora y deslumbra con un mundo propio tan amplio e infinito que no parece terminar jam\u00e1s.<\/p>\n<p><strong>T\u00edtulo: <\/strong>S\u00f3lo lo fugitivo permanece.<\/p>\n<p><strong>Autor:<\/strong> Margo Glantz.<\/p>\n<p><strong>Editorial:<\/strong> Editorial El cuenco de plata, Buenos Aires, 2022.<\/p>\n<p><strong>P\u00e1ginas: <\/strong>264.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rese\u00f1a de Mariana Miranda. Si la asociaci\u00f3n libre y la atenci\u00f3n flotante son la regla de oro del m\u00e9todo psicoanal\u00edtico, [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-15217","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/pages\/15217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/comments?post=15217"}],"version-history":[{"count":11,"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/pages\/15217\/revisions"}],"predecessor-version":[{"id":16031,"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/pages\/15217\/revisions\/16031"}],"wp:attachment":[{"href":"https:\/\/biblioargentina.gob.ar\/web\/wp-json\/wp\/v2\/media?parent=15217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}